Saturday, April 26, 2025

Spitball Reviews #10 ~ AMATEUR HOUR

              (Written by jom)

    Truly a who's who of a SED tag. DRAGON SCREW favorite Greed is here, joining forces with the mountainous Big Joe to take on the faux-nooj contingent of top guy Nashimoto and fed owner Samurai. It's irreverence like this that really speaks to my soul. And wouldn't you know it, this was fun! Not at all great or anything, but a good time to be had nonetheless. Greed and Joe work almost like an ascended version of the Big Show/Miz duo, probably because the little guy in this rendition is actually a talented worker. They do way less tag moves than you'd probably hope for, but they few they do pull off are all pretty cool. Instead, they're just a general force to be reckoned with, running interference and doing their best individual jobs at beating down the faces. Big Joe's big man spots have some good weight to them, and his suplex on the very large Nashimoto was genuinely pretty impressive. Speaking of Nashimoto, this might be the best Hashimoto impersonator I've seen yet, just by virtue of looking almost exactly like him (if the impression was specifically "Hashimoto after a Cheesecake Factory run" then he'd be spot-on). He throws some good chops and kicks as well, and all of his DDT lands with a nice oomph. Ero Samurai is easily the least engrossing of the four men here, lacking the crispness of Greed or the bigness of Joe or the Shinya-ness of Nashimoto, but he still comes off as a good enough local act with his Mighty Inoue sentons. Of course, my favorite guy here is Greed. It'll always be Greed! Even with this being more of an unserious crowd-pleaser tag, he finds a few moments to pull out shit I've never seen before, like his flying knee/cutter combo. I'm not going to tell you that this was anything particularly special, but it's a seven minute match and a fun one at that. For a match taking place in a shopping mall, it does its job as well as it can. Who wouldn't want to see two guys called Big Joe and Greed beating up the fraudulent shin nihon soldiers while going to Spencer's to grab a vibrator and a t-shirt for the worst metal band you've ever heard of? I know I would. 

Match Rating: B-

Big Akabira vs. Hannibal Shimizu (WIN 03/02/1986)

    This is easily the oldest match I've covered on the blog yet. WIN is one of the oldest amateur feds ever, starting back in the 70s as JWA Kanto and still running shows to this very day. Akabira and Shimizu are two of the biggest legends of the WINverse, so seeing them face off is pretty awesome. Akabira looks like the entire IWE roster merged into one junior heavyweight, while Shimizu comes out looking like the most evil Shiro Koshinaka, complete with "One Of These Days" by Pink Floyd. Using Abby's theme song definitely sets a certain expectation for violence, but I honestly think they did a solid job of trying to reach those expectations. Easily the best parts of this match come in the form of the brawling and Shimizu heat spots, with both guys very happy to recklessly throw each other into the crowd and swing chairs with tons of force at each other's heads. Shimizu's time in control is pretty damn impressive, using the ring bell hammer like an icepick and jabbing Akabira all over the head with it, while also throwing what I can only call prototype shoteis, nasty sweeping palm strikes usually to the chin or forehead. He also plays the victim well once Akabira takes back control, running the blade and getting good juice while Akabira proves his worth with nasty kicks and no-hand headbutts (Akabira in general is pretty awesome here, just not in a way worth much discussion). Shimizu certainly isn't a perfect product, and his moveset's lack of variance ends up making the tail-end of his control segment feel a little redundant, but I have a lot of love for a guy who knows how to torture, and Shimizu tortures well. What I do not have a lot of love for is the matwork in the first third of this match, especially Shimizu's. He has a real hover hand dysfunction going on, barely ever putting any hold on with any sort of torque or force behind it. Akabira is a fine enough matworker and works to fill in the gaps left by Shimizu's work, but it feels so unfitting for a match like this to have a genuinely boring motionless matwork segment as the opening act to a hateful brawl. Without this segment and with a little more variation during the heat spots, this match could've been something truly special. As it stands, this is still borderline great, and more than that, such a fascinating piece of wrestling footage. The fact we have any footage at all of these guys is pretty incredible, and I personally welcome any and all new footage of amateurs pretending to be Abdullah The Butcher.

Match Rating: B+

Sado vs. Hareta Kogan (WIN 04/11/2010)

    We now leap forward almost a quarter of a century, landing in a WIN with a larger ring base, a smaller fan base, and a whole new crop of guys that strongly resemble your favorite professionals. Sado is a little nondescript style-wise but looks like a Dollar General action figure version of MIKAMI. Hareta Kogan meanwhile comes out to the nWo cut of Voodoo Child, carrying a weight belt while already having one on. Now, having heard this, if you guessed that these two would proceed to have one of the more creative and compelling technical matches of the decade, you would be shockingly correct! No joke, this is some damn good stuff, the kind of gritty matwork that speaks all languages and tells you the type of story wrestling was built for. Both of these guys are hardcore arm victimizers in this match, and not only do they get their moments to shine, but each moment says something about the wrestler themselves. Sado is a really plucky and desperate underdog, constantly unleashing hell with lots of knee strikes and kicks to the arm whenever he can. He's fighting from beneath for most of the match, so he really tries to get everything he can out of each moment he's in the driver's seat. Kogan, on the other hand, is a petty, ruthless scumbag. His armwork is a lot more creative and usually very targeted, almost aimed directly at small spots on the arm rather than trying to attack the whole thing. He pulls off this incredibly nasty environmental move at one point, slamming Sado elbow-first onto the stepladder-type thing serving as a corner. When he's not finding new and inventive ways to permanently decrease the range of motion in Sado's left arm, he's letting out his frustrations at Sado's endurance in some of the most despicable ways possible, like slamming a defiant Sado's arm directly onto the gym floor. Honestly, more than being just an excellent technical match, this also serves as a tour de force for Kogan's character work. He comes off as such a chickenshit bully, gleeful as the tormentor but conceited as the tormented. There's this one really wonderful moment in the closing stretch of the match where Kogan finally escapes from a Sado armbar after knee'ing his way out of it, only to then throw the shittiest grounded chop with his bad arm, really only hurting himself in the moment. That's just the kind of guy he is, though. Kogan feels the need to always get one over, no matter how pathetic his attempt may be. Having given this match so much praise, I do feel the need to clarify it's far from perfect. There are a few sloppy moments in the latter half of the match, combined with Sado's armwork being decidedly less interesting than Kogan's even if it served the purposes I mentioned before. The biggest mark against this match is how, in the end, it becomes more about the final bombs of the match than the armwork that led up to it (even if those bombs, especially the incredible step-up kenka kick, are generally great). The armwork isn't forgotten per se, and flashes of it appear in the final moments, but it does feel a little weird for a match like this to end with anything but a hold on the arm. That being said, I wouldn't say it wasted my time with the armwork. The work was compelling, told a great story, and got the match where it needed to go. I had a great time here, and I definitely recommend checking it out for yourself.

Match Rating: A-

Enshop Takeuchi vs. Skin Takano (Pablic 05/05/1995)

    Now this right here is an anomaly. I've tried looking into this "Pablic" show multiple times now, and every time I've found nothing. It's weird considering there's a sizable crowd and this tape has pretty high production values, but I can't find a single thing concerning this event. Hell, I haven't even had any luck with finding info on any of the wrestlers. As far as I know, Enshop Takeuchi and Skin Takano are ghosts haunting this VHS tape, ephemeral beasts of passion and pro-wres that existed within the sphere of "Pablic" and nowhere else. It almost feels fitting to the match itself, because this match is bizarre. It feels adjacent to a lot of styles but never actually fits into one. My best summation of this match would be two aliens trying to work the Battlarts juniors style, while also not actually knowing any of the conventions of wrestling beyond what they've picked up from being on Earth for 10 minutes. Even then, I don't think that summation does this match justice. At certain points it feels closer to something from the 2000s backyard scene (which you can read all about on Yard Subject To Change! I write there! My friends write there! Go read it), and other times it feels like the kind of slower matwork you'd see from the Osamu Kidos of the world. Takeuchi and Takano work sequences never put together before, going from backflip lariats to side headlocks with such little transition in-between that you'd think it's always been natural to jump from one to the other. The big spots of this match are equally baffling; I've never before seen an up-kick used as a counter to an elbow drop, and considering just how scary it looks, I kind of get it. Looking for the actual plot of this match feels like a losing effort. At certain points, it seems like the story is Takano's more technically-minded offense cancelling out Takeuchi's bigger bombs, but then Takano will pull off an even crazier bomb and now that idea is out the window. For as much as this match says, none of it actually feels real, but there's something incredibly engrossing about complete fantasy. I wouldn't say I get this match, but I really do love it. It's professional wrestling from an alternate universe where the conventions are flipped on their heads and nothing makes sense to us. Maybe one day someone will figure out what the fuck a "pablic" is. It probably won't be in my lifetime though.

Match Rating: B+

Karasuno Sho vs. Sylgadeter Smatallone (RAW 12/04/2022)

    To pull the curtain back a bit more than I usually do, this right here is why I'm doing this special post. Kusa Pro Wrestling RAW is a promotion I've had a long fondness for, and some of the first writing I ever did on this blog (then the Shin-Kiba 1st BLOG) was covering matches for my series "Monday Night RAW." It had a not-so-clever name and subpar writing, but it was where I started to flex my creative muscles and attempt some sort of analysis beyond match recap, along with being some of the most fun I had ever had doing this blogging stuff. I'm also doing this because of the champion going into this title match, Karasuno Sho. Sho's been the ace of RAW for years at this point, returning from a hiatus just recently to re-cement his place at the top. He's also the reason I'm still writing. I've stopped and started on this blogging business for a long time, jumping from site to site, but the reason I've never truly given it up is because of this. I've had this tweet saved to my computer for nearly four years now. This was the first time I ever received any sort of praise like this from one of the subjects of my writing, and it's something I fall back on mentally whenever I'm in a rut and feel like giving all this up. I'm sure Sho doesn't even remember doing this anymore, but the fact a guy from across the world would thank me like this has never left me.

    I say all of that in part to admit I almost certainly have bias going into this match, but having watched it for the third time at this point, I do think this is a pretty awesome rendition of the modern main event formula. The biggest thing this match has going for it is the commitment both men have behind all of their stuff. Sho throws kicks with a sound comparable to the crack of a home run swing, and Smatallone slams Sho at like he's trying to drive Sho through the ring. There's a ton of awesome little moments from both men to keep the mind occupied between the bigger spots too, like Sho taking the Bret bump in the corner on a hard whip, or Smatallone throwing throwing grounded elbows to the back of the head. Hell, even the match's opening stands out compared to other big main events, as both men rush directly at each other for the lockup and work a more natural opening grappling stretch than most matches usually do, foregoing the cookie-cutter Internationals and really struggling over limbs instead. And while it delivers on the micro, it certainly does just as good of a job on the macro: the big spots in this match feel monumental, especially Sho's slingshot curb stomp (the best curb stomp of this decade). It's a match that feels very complete, if that makes sense. They do a good job of giving you everything they can in every aspect of the match, and that gets a lot of admiration from me. Alas, this isn't perfect. For as good of a modern main event it is, it's still a modern main event, and these guys aren't able to shake off some of the tropes I've grown to roll my eyes at. A couple moments of strike exchange go on a little too long, and there's one or two phony melodrama moments that take me a bit out of the match. Sho's also still got his cartwheel cutter move, which I'll probably never like for as much as I love everything else he does. The presence of nasty kicks and slaps in these lesser moments does help to mitigate the pain, but it's still damaging enough to be worth mentioning here. Still though, this match does a respectable job with a formula I usually dislike, even giving us one of the best "final stand" finishes of the last ten or so years. I cannot lie to you and say this match is flat-out great, just like how I can't lie and say it's bad. This match spends a lot of time kicking ass, and the few moments of falling in the dirt aren't enough to ruin that for me. It's a damn good match and one I'm happy I watched. 

Match Rating: B+

Wednesday, April 16, 2025

Spitball Reviews #9

            (Written by jom)

    For the third spitball in a row, SED starts off the blog post, except this time, no Greed. I just thought it was time to broaden my horizons, look at who else SED has to offer, really take in the- ah, who am I kidding. Doretti YU-JI is less than a year away from changing his name to GREED. GREED IS BACK. And I am more happy for it. He's here facing off against Hellraiser Zeon, who looks like a front line grunt for the Spirit Halloween army. Zeon is defending his EVIL WORLD EXTREME championship, which is basically his personal belt and means that all fouling is legal in this match. It's very specifically "illegal attacks are allowed" rather than anything like No Holds Barred, because NHB comes with certain expectations regarding weapon usage. Instead, this match style just means that YU-JI and Zeon can get away with dick punches and using the customary Japanese plastic box. Zeon is a somewhat interesting figure in this match, throwing lots of generally good kicks and doing some fun spots like the Onryo pinfall catch, but mostly existing as a training dummy for YU-JI to unleash his entire moveset upon. No kidding, this might be the quintessential YU-JI showcase match, as he not only gets to do a ton of his movez, but also just entirely dogs on Zeon for most of the runtime. This best illustrated by when YU-JI lands on his feet to counter Zeon's attempted Angel's Wings, and then just slaps him as hard as he can before deadlifting him into his own Angel's Wings. It's the type of total disrespect that borderlines on burying, just complete and utter disregard for your opponent's image. It also goes to show the type of worker YU-JI is, resorting to the nuclear option at the slightest inconvenience. YU-JI pulls off cool move after cool move, from standing shining wizards to the Roddy Strong's fireman's carry gutbuster. I guess you can criticize the way the match is constructed in that way, and it certainly does keep it from being anything actually great, but I had a hell of a time watching it. Check this out if you're in the mood for cool moves and unnecessary roughness, and then join me in watching all of YU-JI/Greed's matches. 

Match Rating: B

Koichi Nagatoshi vs. Tomoya Sato (DREAMERS 02/06/2010)

    Truly, I have no clue how it's taken so long for the word "DREAMERS" to appear on this blog. It's a massive blemish on my record as a Guy That Writes About Obscure Japanese Wrestling, and feels borderline impossible considering how much I've talked about the promotion elsewhere. For anyone that hasn't heard of it before, DREAMERS was a wrestling organization started by Hayate, entirely made up of the trainees from SUPER CREW, his wrestling school he ran alongside Dick Togo. During its lifespan, it out as the most fascinating terrarium of the Japanese indie scene, almost entirely isolated from all other wrestling companies while creating a flourishing house style of really smart and detailed juniors work. Nagatoshi and Sato are two of the standouts from this environment, and they put on a sick little match because of that. The most interesting part of the match to me is how they find ways to keep everything flowing while still feeling like a fight. There's a couple awesome little moments based around the slight additional struggle added to every spot, guys having to fight extra hard to keep each other at bay long enough for the big spots. Sato's sleeper hold hunting in the latter half of the match feels like a great example of this too, with Sato just constantly trying to get a grip on Nagatoshi's neck even as Nagatoshi keeps finding his way out of it. It also helps that both Nagatoshi and Sato have great form to everything they do, like their suplexes and their big kicks. The only badly executed move here is Tomoya Sato's diving elbow drop, which just looks like he's trepidatiously diving into a pool. Otherwise, this is two young masters getting to work a nice and compact match, getting to show just how damn good they are at this whole wrestling thing. Thumbs up from me, expect more DREAMERS to show up on the blog eventually.

Match Rating: B

Black Buffalo vs. Flash Moon (Osaka Pro 11/10/2007)

    Somehow, this is the first time I've talked about Osaka Pro on here, which feels very odd. No point in an introduction for the company though; if you're reading this, you almost undoubtedly know what Osaka Pro is. This is around the peak of Osaka Pro's popularity and probably their strongest state ever, with easily one of the coolest rosters in all of 21st century Japanese wrestling. Buffalo needs just as little introduction as Osaka Pro, but Flash Moon feels like he deserves much more conversation than he gets. He's one of those Toryumon guys that really just slipped through the cracks, peaking with this run as Flash Moon for Osaka Pro but spending most of his career bouncing around different wrestling scenes under different names. He's a really great wrestler though, and this match feels like a pretty strong testament to both his and Buffalo's capabilities. Flash Moon spends the first minute just 200-IQ'ing Buffalo, which leads to Buffalo delivering a true "I'm NOT owned" performance where he tries to knock Moon's head off of his body. No joke, the second Buffalo gets the chance he smashes Moon with one of the hardest lariats I have ever seen him throw, and that sets in motion one of the most cruel & unusual punishments Buffalo has ever dished out. There are multiple points where these guys genuinely work me and I'm convinced that Moon is actually fucked up, not only because of Buffalo's violence, but also because of Moon's pretty stellar selling performance. He really knows how to balance both big "slipped on a banana peel" style bumping with complete dead sells where he goes limp and looks more like a corpse than a living man. This has all the big bombs and amazing movez you'd hope for from this period of Osaka Pro, but also carries with it a damn good story and two amazing performances in relation to that story. Possibly one of the most underrated matches in Osaka Pro history.

Match Rating: A-

FIRE DOG vs. Tadanobu Fujisawa (K-WEST 01/21/2010)

    Shout out to all my fire dawgs! I bought this DVD solely because I was mesmerized by the name FIRE DOG. It's a personal dark horse contender for best wrestler name ever. Anyways, this is a local semi-pro indie legend getting absolutely dogwalked (pun intended) by a Real Professional Wrestler. Fujisawa around this period of his career is super interesting, constantly being matched up against schmucks and showing them what it means to enter the god damn squared circle. He's got that Kurisu blood flowing through his veins and it really shows at this point in his career, taking guys like Yoshiaki Iwata and Lucha Master Takemaru and really ripping them apart in that ring. This might honestly be his best performance in that kind of match, as he entirely dominates the ring in a way that puts FIRE DOG so far beneath him that it almost feels criminal, and not even just from all the stiffing. Little things like Fujisawa repeatedly forcing FIRE DOG back into a headscissors or maintaining a headlock so tight that it takes FIRE DOG throwing a flurry of strikes at his midsection for him to even lighten the grip really get across that Fujisawa is from an entirely different solar system of pro wrestler than this freak in trash bag pants and a dog mask. Of course, the stiffing helps too. Fujisawa's boot scrape is always a wince-inducing moment, but his execution here where he spins FIRE DOG's mask all the way around in the process is ludicrous in a way few other spots can match. This complete control also helps to cover for the fact that FIRE DOG kind of sucks, evidenced by the few moments of FIRE DOG offense where he either botches his spot or throws the world's most pathetic forearms. We barely get to see this though because of Fujisawa's unrivaled dictatorship over the ring, and we're much better off for it. This is an incredibly one-note match, practically a 10 minute Old Yeller with a sociopathic Travis Coates, but it honestly ticks most of the boxes for a premium rookie beatdown (an especially funny thing considering FIRE DOG has apparently been wrestling longer than Fujisawa has). If it had a good FIRE DOG comeback or a few more instances of Fujisawa taking suable liberties, we'd be talking about something genuinely great. Sadly, FIRE DOG isn't a good wrestler and Fujisawa wasn't that sociopathic, so we'll just have to settle for something pretty damn gnarly and fun.

Match Rating: B

Van Vert Jack & X-Odajimo vs. KAZE & Van Vert Negro (RLL 04/01/2018)

    I wonder how child labor laws in Japan apply to lucha libre. The year is 2018 and Van Vert Jack is a 12 year old child, but he's working with his dad Negro so maybe they can just argue this as a "bring your child to work day" situation. Anyways, this match is happening at a classic car meet on a dock in Fukuoka, and, inexplicably, that speaks to my very soul. As a lifelong resident of the Mississippi Gulf Coast, I have experienced many a Cruisin' The Coast event, and the environment of this match blows a cool sea breeze into my heart, one I've felt for 23 years. I see the funny looking Japanese grandpas with their funny hats and I think of the funny looking American grandpas with their funny hats I see driving down Highway 90 every single year. I don't believe that Jiraiya put on this match to remind us of the universal nature of the human experience, but he certainly did so, at least for me. He also gave us a very fun match, which I am equally thankful for. This is genuinely such a blast, a super lighthearted affair mostly based around how fucking cool Van Vert Jack is. Anyone that knows who he is also knows he's kind of a prodigy, and even at 12 years old it's blatant just how much potential he has. He and his father Negro work the best sequences and spots of the match, with Negro being the perfect base for all of Jack's crazy flips and twists. It's also worth mentioning that, even with his evident faults from being a literal child, he's seemingly got a good head on his shoulders, knowing how to sell competently and only really slipping up once when he tried to give KAZE the chance to cut him off when KAZE didn't intend to. Negro is also pretty awesome here, especially whenever he gets to beat up his kid and hit him with backbreakers and piledrivers. He's a great rudo in general, doing a lot of fun crowd work and working over the faces just as much as he needs to. KAZE and X-Odajimo are almost complete afterthoughts here, but they both do their jobs well enough and never hurt the match. Honestly, just check this match out. Maybe I have a bias for it considering my coastal nostalgia, but I truly enjoyed this match a ton and think you would too.

Match Rating: B+

Saturday, April 5, 2025

Spitball Reviews #8

           (Written by jom)

    Another Spitball, another Greed match. I told you we'd be talking about him again! SED is here in a random gymnasium with the world's largest inflatable dinosaur in the background. I respect SED for making sure this show is accessible to all, even those of us who are 25 feet tall and made of PVC. This time around, Greed's in a tag with regular partner Higuchi, who looks like Greed's childhood friend that has tried to kind of clean up his act as he's grown up. He's not entirely out of the hoodlum mindset, but he's just trying to be presentable in job interviews. Yuki Toshima looks like any average indie guy in the US from 2006 to 2008, but Big Joe is anything but average. He's BIG. No false advertising here, this guy is at least a foot taller than everyone else in the ring. And wouldn't you know it, Greed delivers once again! This is a fun little tag match with lots of cool moments, mostly courtesy of Greed. He's really in the zone here with his shitheadedness, starting the match by going at Joe's eyes and never really letting up on his fouling and general misbehavior. He gets Higuchi involved and Higuchi always plays his part well, albeit he really only goes for heel stuff when Greed tells him to. Really, Higuchi and Toshima (who I exclusively called "red pants" in my notes) only exist to do solid enough juniors wrestling. Big Joe is the other star of the match for sure, throwing Greed around like a sack of shit and living up to his role as a big fucker. His interactions with Higuchi are pretty good as well, culminating in him letting loose with Vader hammers and a huge Amaze Impact. Really though, this is the Greed show for me. He's just so wonderful peppering in nasty kicks and stomps, like how he breaks up a crab done by Big Joe by just kicking him in the back of the head. Greed would've been wonderful working in actual pro feds, ideally as a midcard fouler in Z1 or BJW around this time. Even if we never got that, I'm happy to keep going through all the Greed footage going forward. Fun stuff all around, recommend checking it out just to see Greed, Big Joe, and the even bigger dinosaur. 

Match Rating: B

Masao Ando vs. Yuji Yoshida (Bukotsu 09/25/2016)

    Now this is that indie shit we all know and love. Two lumpy divorcees wearing bikers and kickpads laying into each other with unrelenting violence for a somewhat apathetic crowd in a small rec center in Osaka. If you had asked me about three years ago, I would probably call this a pure distillation of jomcore; my tastes have changed a lot since then, but this type of wrestling does still hold a precious place in my heart. This match does a lot to remind me of why I loved these kinds of matchups so much, working out to be the world's grimiest dick measuring contest. It's filled with full-force elbows to the nose and kicks to the jaw, along with crushing suplexes aplenty. It's also as much an auditory experience as it is a visual one: every strike has either a slap that reverberates around the room, or a thud that smashes through your soul. There's a ton of roughness in everything these guys do, with lots of moves being centimeters away from disaster. There's one moment in particular where Ando hoists up Yoshida for a waterwheel drop, and Yoshida, having seemingly never even heard of a waterwheel, doesn't even try to protect himself and nearly gets spiked on the top of his head. I've talked about it here before, but this kind of dangerous sloppiness does a lot to add to the match. The work doesn't feel clean, safe, or pre-planned, which is exactly how a brawl should feel. There are some attempts at through-lines in this match, specifically Masao Ando's attempts to apply some sort of armwork to Yoshida as things progress, but none of that really matters in any way. I respect Ando's attempts at giving this match some sort of story besides caveman MMA, but sometimes you don't need wrestling with any real brains behind it. The only brains in this match are the ones getting pinball'd around inside the skulls of these two men. The only thing that hampers this match is Yoshida's tendency to just stand around for extended periods while in control, but other than that, this is a real kickass match for people that like seeing asses kicked.

Match Rating: B+

Takahiro Tababa vs. Tatsuhito Takaiwa (IMPACT 05/04/2018)

    A pretty big match for Tababa, getting the chance to face the guy who beat his ass in his debut match three years ago. It's his opportunity to show how much he's grown in the relatively short amount of time he's been a professional wrestler. Takaiwa, however, comes into this match with an entirely different mindset. Honestly, he seems to work this match as an attempt to undo the past and force Tababa out of wrestling. The way Takaiwa grapples with Tababa reminds me of the old tales of veteran workers in the 70s and 80s pulling hopeful trainees into the ring and stretching them half to death until they quit, leaving their dreams and money behind. He pulls off a ton of sugar holds and keeps searching for ways to grind down Tababa, like turning a grounded half nelson into the world's most painful crucifix. It's genuinely very stunning to see Takaiwa work like this; the guy's always had a mean streak to him, but it usually only manifested in particularly impactful bombs or even more punch behind his hits. All of that is still present here, but it's the way he rips apart Tababa on the mat that makes this stand out as one of his meanest performances ever. Tababa's eventual comebacks all land real well (it certainly helps that most of them are based around him kicking the hell out of Takaiwa), and he does a good job of milking his hope spots for all they're worth. His bombs also work out great, especially everything surrounding his holds. The moment where Takaiwa counters a Fujiwara armbar by sidewalk slamming him only for Tababa to maintain the hold really stands out as great endurance storytelling and makes Tababa look like a total badass. Wrap it all up nicely with a bow made of some truly spectacular late-match bombs and you've got yourself a damn good match. Hopefully there's more "burn your boots" Takaiwa performances out there.

Match Rating: B

Ryan Upin vs. Masked Mystery (GUTS World 02/15/2011)

    Ryan Upin is probably better known as Chon Shiryu, who I've somehow never talked about on the blog?? Absolute blasphemy on my part. If you've ever seen me talk about him elsewhere you probably already know this, but I really love Chon Shiryu. He's one of the only guys in the world doing kung fu pro wrestling, and his level of consistency is pretty mindblowing. He almost has the Thanomsak Toba condition, where, even when put in matches featuring complete shitters, you can always count on him to at least deliver the goods. Luckily, Masked Mystery is nowhere near a shitter, so this ends up being a total blast. Mystery is a somewhat conventional big man worker who has very good technique and clearly knows how to work a short match, which works perfectly with the smaller and more exciting Shiryu. They work this like a pretty high level TV match, streamlining everything to give you as many cool moments as possible all while keeping the action flowing at the right pace. There's tons of little moments interspersed between the cool big spots, like Mystery keeping one leg away from Shiryu's grasp while Shiryu goes for a gory special, so Shiryu just dumps Mystery onto the ropes with the half-applied move. But really, we're here for the big kung fu moments, and Shiryu gives us plenty with suicide flying kicks and springboard kung fu stomps. I think this match is probably one of the stronger testaments to one of the best aspects of Chon Shiryu. Even while working one of the more bizarre and unique characters in the Japanese scene, Shiryu actually feels like one of the most cohesive workers in the entire world. There are a lot of guys nowadays that have "but also"'s tacked onto their character descriptions. A big man that does power moves BUT ALSO dives and flips. A high flyer that can hit spectacular flips and twists BUT ALSO big powerbombs and every other move in the book. Chon Shiryu lacks a "but also" in his character description because everything he does feels so fitting for him. The kung fu, the gory special variations, even the way he'll grapple all work towards supporting this character of pro wrestling's one true kung fu master. In the end, this match barely clocks in at six minutes, and it's a damn fun six minutes at that. The only reason it doesn't go into the A-range is because this felt like it needed a better environment than a small dojo (ideally an actual TV studio with a more vocal crowd). I patiently await the day that a promotion finally opens its eyes and signs Shiryu to work compact TV matches on a regular basis.

Match Rating: B+

Isami vs. Phantom Funakoshi (IWA Kokusai 06/12/2005)

    I'm fairly certain this was uploaded by Goro Tsurumi's son. Thank you Goro Jr! I love Kokusai a lot for its bizarre monster matches and crazy arena brawls, but it did always feature some great indie junior heavy guys, both fresh in the scene and old but underappreciated. Isami is the new kid on the block after absconding from K-DOJO and transforming from a Takadist shooter into a scummy yankee, while Funakoshi has been around for years as a Showa-era wrestling idolizer. It's a bizarre pairing, but one that could have a lot of potential by virtue of the two being great wrestlers. Emphasis on could. I'm sure they've had a very good match together. They've faced off multiple times, and at least one of those times has given us a very good match. This is not that time. This is less of a wrestling match and more of a wrestling experiment, a public survey to see if certain angles can go off well. This starts with one of the most bizarre wrestling angles I've seen in a long time, where Funakoshi takes a rolling solebutt 30 seconds into the match that stops him dead in his tracks. He's stunlocked so long that Isami has time to do the full Sweet Chin Music charge-up and still hit the move, all while Funakoshi is just standing there bent over like he just knocked back a pack of original Four Loko's. This leads to Funakoshi being so knocked out that Isami has to abandon a suicide dive spot (?) and go out to try and wake him up (??), only for Funakoshi to wake up and start being incredibly aggressive. I genuinely cannot tell if this is meant to be some bizarre worked shoot injury angle or some sort of concussion work or anything. It's borderline nonsensical, something you can only vaguely interpret. The actual match that follows is... fine I guess? Funakoshi does some alright bullying and armwork, and there's a cool enough spot where Isami takes too long getting back into the ring after a corner knee sends him flying out that Funakoshi pretty easily dodges his returning superkick and dumps him on his head with a suplex. There's just too many whiffs and botches and weird angles to really even process what's going on half the time. The match goes to a "15 minute time limit draw" when the actual runtime was barely 12 minutes, only to then be restarted and continue with the weird botches and vacant atmosphere (there were barely 15 people in the building but you could've told me they were all cardboard cutouts with how this match appeared). To be clear, this isn't irredeemable wrestling: Isami and Funakoshi do enough cool stuff to warrant some commendation. That being said, this match is bad. I still don't understand why half of it happened. I respect the attempt at experimentation, and Kokusai is one of the few places you could really try to do stuff like this, but this was a complete flop.

Match Rating: D+