Thursday, March 18, 2021

The Unsung Trilogy at Coliseo Cerberus: Taro Yamada vs. Keita Yano

     (Written by Jom)


       In my previous nonseries blog post "Run It Back", I noted that the rematch was a concept loved in pro wrestling. Well, the trilogy is even more cherished, probably because it's a rematch to a rematch. There have been a ton of legendary trilogies in this fake sport we love, such as Flair/Steamboat, Joe/Punk, and, for the real ones, Makabe/Thatcher. However, one trilogy has been consistently underappreciated since its conclusion, almost entirely due to many not even knowing of its existence. I aim to change that.
   
    There's a very good chance you don't recognize the "Coliseo Cerberus" mentioned in the title, and that honestly sucks. This tiny gym has been host of many shows by the lowest puro promotions on the scene, from blog favorite RAW to WALLABEE. However, no single wrestler is more connected to this arena than Keita Yano, aka KEITA In THE HOUSE. For anyone that doesn't know, Yano is a protege of Yuki Ishikawa, an amazing grappler, and the owner of the aforementioned WALLABEE. He's also a very big fan of Kendo Kashin, Bruiser Brody, and Heath Ledger's Joker. Basically, he's great. He's almost definitely had the most matches at Cerberus and more often than not you could find him having that show's best match. However, in my opinion, his best matches there have been against Taro Yamada. If you haven't read my previous three match primer on him (which I recommend checking out here), Yamada is one of the slickest technical wrestlers on the planet, using the T2P style to perfection. Not only do they share technical styles, both men actually debuted A SINGLE DAY APART, as Taro Yamada debuted on February 24th 2007, and Keita Yano debuted the following day, February 25th. If that doesn't sound like a fated rivalry, then I don't know what does.

    This is the unsung trilogy at Coliseo Cerberus, "Fighting Acupuncturist" Taro Yamada vs. "Young Crying Wolf" Keita Yano.

MUMEIJUKU 09/20/10

    This match is using five minute rounds rules, which makes sense for MUMEIJUKU, a much more grappling-based promotion. Yamada looks very much the same throughout the years so I won't be tracking his appearance, but in the five years this trilogy took place in, Yano's appearance changed drastically, so I'll be tracking that. Here, he's wearing pretty much the same gear he'd been wearing since he started in BattlArts (wetsuit with knee and elbow pads), but he does have short, orange hair and a very faint amount of Joker facepaint. He's also wearing a Chikara shirt before the match starts, which reminded me that he was in 2010's Young Lion's Cup and I should watch those matches just to see how American fans responded to the BattlArts Arthur Fleck. Before I even begin to review the match, I just wanna share one thing I wrote down while taking notes.

    "It's literally impossible for me to take notes on the grappling, because either it's too fast or so complex I can't think of what to call it before they move on to the next hold"

    Yeah, y'know what I said about Yamada doing T2P style and Yano being a Bati-Bati grappler? This is pretty much what you'd expect from that. Both guys do some great wrestling here, cinching in snug holds one after another. I'm not gonna list them all, but I will note that both of them are absolutely phenomenal at getting their opponent to the mat. The match literally starts with one of my favorite mat placements I may have ever seen, as Yamada gets in a waist lock but Yano immediately judo throws him from around his back. They both are also great at doing ankle picks, and some of the ones they were able to get actually astounded me with how creative they were. Speaking of creativity, I'm about to list some holds done by them, just so you understand why this was so hard for me to take notes on: Yano's handstand double ankle lock, Yamada's inverted crab, Yano's grounded double underhook stretch, Yamada's cross-legged Chikara Special, and Yano's grounded bridging side cravate. Maybe you can get an idea of what these look like, but seeing it actually executed is just so insane and awesome. That's not even mentioning how creative some of the transitions and pinfalls were. Also, Yano adds an extra layer to the match with all of his Yanoisms, like raking the eyes and stepping on Yamada's hand for a submission. These moves weren't done to cheat, but instead that's just kinda how Yano is. Also, he messed up a kip-up pretty badly and almost kicked someone next to the square in the face, so the accidental comedy in this match was very good too. The match's pacing was great the entire time as well. At no point did it feel like it ever slowed down, instead only hitting a timing reset every five minutes to allow them to return to building it back up. The match's end came in the third round, when Yamada, after using up all of his holds and seeing Yano still had some tricks up his sleeve, threw some nasty forearms straight at Yano's jaw. Although this definitely hurt Yano, it also signified the moment I knew that Yano was gonna win. Up to that point, not a single significant strike had been thrown, and when Yamada threw those forearms, no matter how hard they were, they proved that he had run out of ideas on the mat. Yamada escaped a cravate, hit a frankensteiner, and nearly won with a couple flash pinfall attempts, but Yano threw two bell claps with his arms and one with his legs, finally going for a sunset flip and transitioning it into a headscissors crucifix choke for the submission victory. 

    This was a really great grappling match, both guys were only 3 years into their careers and the amount of knowledge and improvisation skills they possessed on the mat were immense. Even if you dislike the total lack of striking, those few elbows Yamada threw towards the end more than made up for it. Overall, an extremely promising match between two extremely promising wrestlers.

Rating: A-

FUKAMI Matsuri 06/24/12

    Yano has definitely evolved his persona a lot in the two years between the last match and this one. He has a blonde mullet, fur boots, and is wearing gear and facepaint that seems both reminiscent of Heath Ledger and the classic Joker. He also throws out a "HUSS" when he gets announced, so I guess based on that and the boots he started to bring in the Brody influence to his character. Someone blows a whistle and we are off to the races.

    The grappling here is a lot more hesitant than the last match, as both guys surely remember how skillful their opponent was, and want to be careful about accidentally losing control early on. It's fairly even to start out, and Yano even escapes one situation and does his kip-up, still messing up like last time but getting very close to pulling it off. Yano also hasn't lost his other Yanoisms, such as the biting, but Yamada is there to meet him this time, doing some biting of his own to escape one hold Yano had him in. Yano also a new Yanoism, that being his dainty leap over drop downs, which he does with Yamada when they start to do rope rebound spots but just by running back and forth without the actual ropes. Yano does this jump three times, but gets tripped by Yamada on the fourth and lands face-first. You can probably tell that while there's a good amount more hesitancy between the two, there's also a level of playfulness to it, as both guys have a lot of respect for each other and are willing to have some fun in between wrenching on each other. Speaking of, out of all the submissions both guys pulled off, one of my favorites has to be Yano's transition from a cross ankle lock into a gnarly bow and arrow, bending Yamada so far against his knees that it looked like his spine was seconds from snapping. Yamada isn't a slouch either, doing his own back-breaking moves like a reverse cravate transitioned into bending Yano over his own back, trapping Yano's leg at the same time to make escape that much more difficult. Both guys also do great transitions and pinfalls just like before, but there was a lot of newer stuff in all these categories, as both guys are great at taking a situation like an early match lock-up not just going through the motions, instead bringing something new to the table every time. However, as much as I praise both men, Yano was definitely in more control almost the entire match. I guess that donning purple furry boots will give you a bigger power boost than expected. Yamada at many points seemed like he was on the cusp of retaking command of the match, but every time he got close Yano was there to snuff it out. Even when trying to escape situations and at least get on equal ground, Yano is able to shut that down as well, such as when he pulled of a great flying armbar, and upon Yamada trying to roll out of it, turned Yamada's roll into a triangle choke. The finish comes when Yano decides to return to the dainty leap dropdown spot, and this time when Yamada goes for the trip, Yano leaps over into a sunset flip, quickly turning that into his headscissors crucifix choke. Yamada, however, has no plans to fall to that again, and actually rolls forward turning it into a pin, which Yano escapes from but is forced to release the submission. Yamada gets up lightning fast and goes for a sliding elbow, but Yano just barely dodges, and quickly turns that into a rolling crucifix, getting the pinfall victory with an arm-trap crucifix he pulls out after other ones don't work.

    Once again, both guys are able to really make a great match in Coliseo Cerberus. This was pretty similar to the first one, especially due to the fact that once again, there were little to no actual strikes throughout, instead being almost entirely focused on the grappling acumen of those involved. However, in my honest opinion, I think their first match was just barely superior to this one. Although both guys were great here, the hesitation, while it made sense and was the right call, also meant that it just didn't match the frenetic pacing of the first bout. Don't let that take anything away from this match however, as only in this match can you see just how insane Yano can get after only two years.

Rating: B+

Kani KING Produce 01/25/15

    This match is for Yano's WALLABEE World Martial Arts Championship. Yano started this trilogy as a young boy figuring out his identity. The next time we saw him, he had more fully fleshed it out. And now, he has reached his final form, which has to be seen to be believed:


    YEAH. Underneath the kilt is a pair of union jack trunks, purple kneepads with a brace on his left knee, and his purple furry boots. Sleaze personified. However, his attire isn't the only thing that's changed. The bell rings and Yano goes for the kip up one more time... AND HE FUCKING HITS IT. LONG TERM STORYTELLING BITCHES.

    The match starts out and it's very clear this is not going to be the same as the last two matches. There's no dynamic exchanges between the two to start us off, as Yano instead immediately does a double-leg takedown and just keeps Yamada grounded entirely. He does this multiple times, at one point shooting for a double leg that sends both of them barreling into the seated fans. Yamada keeps trying for his own takedowns and holds in response, each of them more complex than Yano's basic strategy, but every single time Yano is able to catch him and just force him back down. Yano eventually starts to choke Yamada and grind his fist into the back of Yamada's head, also choosing to ignore the ref any time Yamada gets to the outline and should be getting the hold broken up. Yano even starts to chant "BORING" while in one of these holds, as he realizes him grinding this match's progression to a halt any time it starts isn't super entertaining. Finally, Yamada starts to get more and more opportunities to escape and put in his own holds, but Yano proves he wasn't being slow because of a loss of ability, as he continuously and swiftly stops each attempt, culminating in a great quebradora by Yano. Yano calls out "HUSS" and goes for a Brody boot, but Yamada catches it, SPITS IN HIS FACE, AND CATAPULTS HIM INTO A PUNCHING BAG. Yano, after being down for a while from that, slowly crawls back and holy shit he's gushing blood. Yamada sees this, probably says to himself "if you wanna bleed that bad I'll help you out", and REPEATEDLY SHOOT HEADBUTTS HIM. YAMADA HAS YANO'S BLOOD ALL OVER HIS FOREHEAD NOW. THIS IS SO FUCKED UP. The match then goes into a segment I would like to call "Taro Yamada finally decides to stop being respectful to this literal clown", since he spends the entire time shoot elbowing and headbutting the bloody Yano, all the while getting covered more and more in Yano's blood. Yamada kinda does Fugo Fugo Yumeji's all-fours headbutt too, a sickening cracking sound ringing out after smashing skulls, so Chris is probably gonna love this match. Yamada even throws in a CURB STOMP, which leaves a little puddle of blood where Yano's head got smashed into the mat. Yano eventually is able to start to hulk up, yelling "HUSS" and stomping around the mat to try and get himself enough adrenaline to fight back, the whole time being pelted by nasty elbows by Yamada. He finally goes on the attack, ending it with a fucking great Brody boot, but control soon returns to Yamada, who pays Yano back for that offense with a grounded shoot kick to the side of a seated Yano's head. Yamada works on him with more snug holds and headbutts, even eventually opening a window and using the windowsill to dive onto Yano with a double knee press ONLY TO GET A ONE COUNT. Yano fights back, dodging the sliding elbow and goes for his sunset flip into the headscissors crucifix choke, but Yamada turns it into a back cover. Yano tries two separate times to do the double bridge up to escape, and both times fucks it up about halfway into the bridge, but these repeated botches honestly helped show just how absolutely fucked Yano was from all the damage he'd sustained. Yano pushes Yamada away and hits a RUNNING DIVING HEADBUTT TO YAMADA'S FACE. Yano keeps trying to force Yamada to tap out or stay down, but Yamada just won't die and Yano picks him up for a tombstone. Yamada, in a last burst of strength, goes backwards into his own tombstone, but Yano keeps that momentum going to roll back into a tombstone of his own, CRADLES HIM, AND SPIKES HIM ON HIS FUCKING HEAD. 1. 2. 3. YANO DOES IT.

    Is this match as technically sound as the last two? not at all. Is it as slick and well-paced? Fuck no. Does it have its moments of dragging, and are there probably too many botches? Absolutely so. Did it need to go nearly 40 minutes? Probably not.

    ...And yet, this is the best match out of the three in my opinion. Maybe I'm just a sucker for violence, but the fucking pain these two went through for this match is absolutely disgusting. Yamada had to have done at least ten shoot headbutts to Yano, among the other nasty strikes he threw at him, and Yamada got bent and dropped all over the place. Yano bled everywhere, covering himself, Yamada, and the mat in it. This was nothing like the last two extremely respectful matches. This was two men fighting with the intent to kill and the willingness to take all the pain for the glory of the title. If you're looking for technical supremacy, this match is absolutely not it. Even though the grappling here was still very good, the first match will suit your tastes much better. However, if you wanna see a match that indulges in the highest excess of drama and violence, there may be no other match better than this one. Maybe this rating is too high. Maybe I'm being blinded by my bias for these two. Honestly, I don't care. I love Taro Yamada and Keita Yano, and for the blood, sweat, and tears they shed to create this, I can't, in good conscience, rate them any lower.

Rating: A+



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